This intaglio depicts a satyr holding a lagobolon (hunting weapon), an animal skin, perhaps a hare, and a bunch of grapes. Satyrs were companions of Bacchus and often occur as part of the Triumph of Bacchus. The gem, carved into dark jasper, was perhaps worn by the person buried in the coffin in a ring, and dates to no later than the second half of the 2nd century.

The designs carved into intaglio rings ranged from mythological scenes to portraits of emperors, gods, goddesses, and animals. The carving was usually done in reverse relief, so that when pressed into wax or clay, it would create a raised impression. Many Roman intaglio rings held symbolic meaning for their wearers. For example, a ring with an image of a god or goddess might have been worn for protection, while a portrait of an emperor could signify loyalty to the ruling power. A Bacchic figure within the tomb is suggestive of a belief in salvation, associated with the god.